Tag Archives: Texas Frightmare Weekend

Upcoming Events, June 2018 Edition

A month after Texas Frightmare Weekend, and things in the gallery are finally under control. New and reworked enclosures are going strong, the propagation area is full of new and exciting species, and the deep freeze in the back is full of frozen blueberries. (Take this from a longtime resident: about the only thing that makes summer in Texas livable is the explosion of East Texas blueberries in farmers’ markets and grocery stores, and the only thing that makes July and August tolerable is knowing that June was spent filling every refrigerated space in the vicinity with June’s and April’s and Melissa’s blueberries. By the time the blueberries run out, the local craft stores are full of Halloween stuff, which is usually enough to get through the last few weeks of baking heat before things start cooling off. This routine works until the day it’s possible to live like an African lungfish and aestivate in mucus and mud cocoons until the rains return.) This is the time of the year where everyone knows firsthand what a grasshopper on a griddle feels like (there’s a very good reason why sheepskin car seat covers were popular in Dallas in the days of vinyl car seats, especially for those fond of shorts), so the idea is to offer events and activities either indoors or after dark, and preferably both.

One of the advantages of emulating a Gila monster in the summer heat (living underground, emerging only to suck eggs and swallow baby bunnies whole, and dealing with interlopers with a venomous bite) is having plenty of time to organize for the days when the sun’s default setting drops below “supernova”. 2018 has been interesting in that regard: this year’s Deep Ellum Arts Fest was an anomalous combination of torrential rains and near-freezing temperatures, so registering for the 2019 Fest wasn’t even a question. This is also the year to see about admission to the famed Cottonwood Art Festival down the road from the gallery in October, as well as a lot of smaller shows and events through the area. The first showing at the Deep Ellum Art Company was a hit, and that may be a regular showing venue as well.

As far as the traditional Triffid Ranch shows are concerned, things are lively. Texas Frightmare Weekend’s open call for vendors starts soon, with notice on acceptance usually arriving in August. That’s also about the time for applications for the Blood Over Texas Horror for the Holidays show in Austin in November, and two weeks after Horror for the Holidays is the two-day revived Dallas Fantasy Fair at the Irving Convention Center. That last one is going to be the most interesting, especially since I was a regular guest during my writing days through the first half of the 1990s until the original convention imploded in 1996. On one side, even the kids who were at the last few Fantasy Fairs are in their thirties and forties now, and nostalgia from the older fans might not be enough. On the other, Dallas still has precious little to do on Thanksgiving weekend that doesn’t involve movies or malls, and the Thanksgiving Fantasy Fair weekends in the Eighties and Nineties made that weekend a lot more tolerable for those of us without family plans (or those with families they had to escape for a while). Either way, let’s see what happens.

(As an aside, while it’s great to get invitations to attend other shows as a vendor, please understand that being able to attend is a combination of logistics and scheduling, and those can collide with interstate regulations, weather patterns, or the laughable concept of “personal life.” Please also understand two things, the first being that my having to reject a vendor request almost always isn’t personal, but that every show requires about a week before the show to prepare and a week after to recuperate and reorganize. Therefore, every two-day or three-day show effectively cuts out three weeks per month that could be used to create new enclosures or perform essential maintenance at the gallery, which is why we schedule the regular gallery shows for the months where we aren’t running an outside event. The second thing is that whining, guilt trips, or pushiness, especially of the “don’t you owe it to yourself to come to our show?” type, WILL guarantee a blacklist on even the remotest possibility of coming out to future events. This is a roundabout way to recommend not following the lead of Fear Con in Salt Lake City and taking a lot of care with vendor contact information. Unsolicited entry into a mailing list is bad enough, but texting when the mailing list wasn’t getting an immediate response? Oh, that’s a blocking.)

And for the regular gallery showings? Scheduling conflicts kicked in for the end of June, so the next Triffid Ranch gallery opening has been moved to Saturday, July 7. It’s a touch late for Canada Day, but as a chance to see Michel Sarrazin‘s namesakes in the pulp, it’ll still be worth the trip. Expect details in the very near future, as well as a few surprises, and some might even include blueberries.

The Aftermath: Texas Frightmare Weekend 2018 – 8

frightmare_2018_77

And that about closes it out for Texas Frightmare Weekend 2018. 350 days to go before Texas Frightmare Weekend 2019, and I can only hope to top this year’s show.(Maybe next year, I’ll be hit by an asteroid.) Many thanks to everyone who came out for this show, innumerable thanks to the staff and crew at Frightmare, and a sincere promise of reparations to the fellow vendors who had to listen to me all weekend long. I truly apologize for your pain.frightmare_2018_78frightmare_2018_79frightmare_2018_80frightmare_2018_81frightmare_2018_82frightmare_2018_83frightmare_2018_84frightmare_2018_85frightmare2018_59

The Aftermath: Texas Frightmare Weekend 2018 – 7

frightmare_2018_67frightmare_2018_68frightmare_2018_69frightmare_2018_70frightmare_2018_71frightmare_2018_72frightmare_2018_73frightmare_2018_74frightmare_2018_75frightmare_2018_76

To be continued…

The Aftermath: Texas Frightmare Weekend 2018 – 6

frightmare_2018_57frightmare_2018_58frightmare_2018_59frightmare_2018_60frightmare_2018_61frightmare_2018_62frightmare_2018_63frightmare_2018_64frightmare_2018_65frightmare_2018_66

To be continued…

The Aftermath: Texas Frightmare Weekend 2018- 5

frightmare_2018_51

As an aside, for those unfamiliar with the Shirt Price policy, buying a Texas Triffid Ranch shirt (or other item of clothing) and then wearing it to a show or gallery event not only makes you the subject of envy and admiration, but it imparts several special abilities. Firstly, the money from the purchases supports local Dallas artist Larry Carey. Secondly, wearing that shirt to an event gives an automatic price discount on all Triffid Ranch purchases. Thirdly, as was the case this weekend, Triffid Ranch shirt wearers received extras, in this case a Venus McFlytrap Monster High doll. People should be rewarded for being unconventionally stylish, right? (And many thanks to the people who had no interest in plants but who wanted to buy a Triffid Ranch shirt anyway. Getting to share Larry’s artwork is a big deal for me, and has been for the last decade.)

frightmare_2018_47frightmare_2018_48frightmare_2018_49frightmare_2018_50frightmare_2018_52frightmare_2018_53frightmare_2018_54frightmare_2018_55frightmare_2018_56

To be continued…

The Aftermath: Texas Frightmare Weekend 2018 – 4

frightmare_2018_37frightmare_2018_38frightmare_2018_39frightmare_2018_40frightmare_2018_41frightmare_2018_42frightmare_2018_43frightmare_2018_44frightmare_2018_45frightmare_2018_46

To be continued…

The Aftermath: Texas Frightmare Weekend 2018 – 3

frightmare_2018_27

frightmare_2018_28frightmare_2018_29frightmare_2018_30frightmare_2018_31frightmare_2018_32frightmare_2018_33frightmare_2018_34frightmare_2018_35frightmare_2018_36

To be continued…

The Aftermath: Texas Frightmare Weekend 2018 – 1

frightmare_2018_7This being the tenth Texas Frightmare Weekend show for the Triffid Ranch. the dynamic of the crowd coming by the booth is changing, and all for the good. Teenagers who came by to peruse in 2009 are now bringing their kids by, and others bring by pictures of plants purchased in previous years as if they’re showing off grandchildren. Sometimes the shock is how much the kids have grown in just a year. A lot of Frightmare regulars will relate how so many of the attendees are like family, and that’s a fair assessment: I’m just the uncle who sits near the end at Thanksgiving dinner and makes those seated at the kid’s table ask “How DOES he manage to get that soda straw that far up his nose?”

frightmare_2018_8frightmare_2018_9frightmare_2018_10frightmare_2018_11frightmare_2018_12frightmare_2018_13frightmare_2018_14frightmare_2018_15frightmare_2018_16

To be continued…

 

 

The Aftermath: Texas Frightmare Weekend 2018 -Introduction

So. About last week’s Texas Frightmare Weekend show. I could talk about the extra weeks spent on making sure that everything was done in advance, so I could roll up a truck and head out early on Friday morning for load-in. I could bring up the ongoing tradition of Dallas getting heavy thunderstorms during that weekend each year, one of which led to my nickname among the convention staff as “Sparky” after the truck was hit by lightning. I could mention that after my left ankle decided to go in directions not recommended by the rest of my skeletal structure, I’m putting down nonskid tape on the front steps of the gallery this weekend so slipping on rain-slick concrete on those front steps never happens to anyone else. I could mention how after having to miss load-in on Friday, the Frightmare crew helped get me in early on Saturday morning, with everything up and ready literally as the first crowds came rushing back. I could mention that nine hours of standing while talking with customers isn’t bad, except that favoring an injured left ankle puts all sorts of stresses on one’s right knee. I could, but why belabor my failings on what was probably the best Frightmare yet?

As a vendor, I look at each year’s show with surprise: it’s hard to believe that the show runs this smoothly every year without some sort of public incident, but there you have it. When the biggest complaint is the relatively high cost of hotel food, and this is NOTHING compared to comparable costs at various convention centers in which I’ve set up booths, you have a show that should be emulated by everybody in the science fiction/fantasy/horror convention circuit. Events run within a couple of minutes of the stated time, instead of “when we damn well feel like it.” The registration crew handles general queries and emergencies with the aplomb of a tapdancing brain surgeon, and with a lot less mess. Convention security is practically invisible except when needed, and then they cloud up like a bee swarm and take out the issue right then. The promotion is savvy and understated, since the best promotion is word of mouth, and this year’s attendees were a great mix of first-timers and decade-long vets. After decades of conventions with far too many attendees and staffers assuming that Fear and Loathing in Las Vegas was an instruction manual, there’s something incredibly relaxing as a vendor in knowing that everyone is watching out for each other, and that’s Frightmare’s greatest strength. All of this needs to be put at the feet of founder Loyd Cryer: every time a reporter notes that he had serious questions from loan officers about the viability of a horror convention in the Dallas area when he started in 2005, we all just laugh and laugh.

In return, as befitting such a great venue, the plant selection rose to the challenge, especially with the number of longtime attendees finally ready to move to more exotic and challenging species. The new butterworts were a huge hit, especially after pointing out the containers full of Utricularia calycifida “Asenath Waite” to the H.P. Lovecraft fans. A wider range of highland and lowland Nepenthes to go with the beginner’s plants, and the first time the Triffid Ranch table had Heliamphora on display…oh, and a starting selection of hot peppers, with both “Numex Halloween” and “Carolina Reaper” catching everyone’s eyes. This year, the problem wasn’t with having enough for everyone. The problem was illustrated by the people who came by later on Sunday because of the crowds four and five rows deep in front of the booth on Saturday.

As with each previous show, the aftermath of this year’s Frightmare tested new display concepts, highlighted the need for new ideas, and emphasized the need to get rid of ideas that no longer work. This means a lot of work between now and next May 3 to finalize such things as QR codes on both individual plants and groupings by genera, leading to pages on basic care in order to make it easier on the folks on the outer edges of the crowds to get information. It means updating display shelves, both for improved access to the plants and for improved weight management. (The only thing heavier than glass is glass full of water and sphagnum moss, as my biceps keep telling me.) It means alternate lighting systems, such as a heavy-duty battery for venues where access to electricity is either unavailable or ridiculously expensive. It’s a lot of work, but now that the gallery is reasonably under control, it’s time to focus on upgrading the off-site presence.

And the really surprising part? It’s a matter of looking back over the preceding shows to see how far it’s all come. That first show in 2009, with all of the plants that could be shoved into the back of a PT Cruiser, a big bookcase full of vintage gonzo gardening books, and a lot of stuff that simply wasn’t necessary or got in the way, was pathetic compared to last weekend. It’s a shock as to how far it’s all come, and that gives incentive to push even harder to get to where it’s going.

To be continued…

State of the Gallery: May 2018

Well. With Texas Frightmare Weekend recently ended (and photos and discussions on same will be online shortly), it’s time to shift gears, relax, and take a couple of weeks off to recover. And if you believe that, I have some great converted shopping mall live/work spaces at the bottom of the Trinity River that I’ll regretfully let go to someone who will appreciate them, too. Right now, the clock starts for preparation for the next Frightmare, and the real trick is to get everything else done over the next year as well.

Because of preparation and arrangement time, May and the first part of June will be relatively quiet as far as gallery events, but that’s because the Triffid Ranch goes mobile over the next two months. The fun starts with a showing at the Deep Ellum Art Company on Sunday, May 20, focusing on larger enclosures, from 2:00 to 6:00 that afternoon. Three weeks later, the Triffid Ranch gets much more hands-on with a workshop on carnivorous plants at Curious Garden and Natural History in Lakewood, including leaving with your own hand-planted sundew or butterwort enclosure. For the latter, contact Curious Garden to reserve your space in the workshop: the fee for registration and supplies is $30 per person.

This doesn’t mean that the gallery is abandoned: the next big gallery event is scheduled for Saturday, June 30 as a very slightly early Canada Day celebration. This includes a celebration of the famed French doctor and naturalist Michel Sarrazin, for whom the genus Sarracenia is named. Yes, that means lots of North American pitcher plants, as well as some other surprises. As always, admission is free, with lots of plants available to take home.

On the convention circuit, things will be quiet for the rest of the year, with one possible exception. After founder Larry Lankford’s death in 2013, an absolute on Dallas conventions with the older crowd was reminiscing about the long-defunct Dallas Fantasy Fairs, which ran three times a year from the mid-Eighties until their demise in 1996. A few members of that old crowd would make noises about reviving the shows every once in a while, but those noises remained such until about two weeks ago. That’s when the first formal announcements of headliner guests announced the 2018 Dallas Fantasy Fair, scheduled for the weekend of November 23-25 at the Irving Convention Center. It’s still early days yet, so the convention has little more than a Facebook page for further information, but the con organizer is already taking vendor requests for more information. If nothing else, a convention the weekend after Thanksgiving is a good way to get started with regular weekend openings at the gallery all through December. Details will follow as they arrive.

And on longterm trips, it’s official: the 2018 International Carnivorous Plant Society Conference is running the weekend of August 3-5, and the Triffid Ranch is heading to California to hear what the real experts have to say. This is purely a factfinding expedition: no plants, no displays, nothing but notebooks and lots of business cards, just in case. That works out the best: I haven’t been in the Bay Area since the beginning of the dotcom boom in 1996, so it’ll be nice to see it without prior job interview commitments or any other commitments.

Finally, the just-concluded Frightmare show marked a solid decade since the first Triffid Ranch show, and the size of the crowds and their needs confirmed that it’s time for a revamp of the show table look. Among other things, it’s time to enter the Twenty-First Century as far as information and organization is concerned. As before, details will follow as they arrive, but let’s just say that attendees at Texas Frightmare Weekend 2018 will have the opportunity to get questions about plants answered so long as they have a smartphone. Considering that the crowds were four and five rows thick through most of the last show, a change is essential before the next one. This doesn’t even start with a project inspired by Demetria at The Curiositeer, which should go live soon. Oh, this one will be entirely too much fun.

Interlude: Sarracenia Blooms

It’s been…interesting around the gallery this last week, mostly because the focus is on having everything ready for Texas Frightmare Weekend next week. (I’ve been joking that the response to the phrase “We’re a week away from Frightmare!” is enthusiastic cheering from the attendees, cries of “Once more into the breach, once more!” from the staff, and a sustained Brown Note from the vendors.) Everything is coming through so far, so here are a few photos of the blooms in the Sarracenia pools as they emerge from winter dormancy:

And a little extra in order to demonstrate that carnivorous plants aren’t a dependable form of insect control. This little corner of North Texas is becoming an enclave of the longhorn crazy ant, and they’re doing quite well in disturbed areas such as suburbs. The last two months have been a rush of insect controls such as orange oil drenches, to which they respond by moving their mounds a few meters away and starting fresh. Well, apparently they’ve discovered Sarracenia nectar, both in blooms and in traps, and it’s not turning out well for the little junkies:

The Sarracenia are benefiting for the moment: a percentage of the nectar-slurpers will fall in and feed the plant. However, each pitcher catching five or six per day does nothing for the hundreds of thousands or even millions back in the original nest, so about the only sure way to take out the nest involves art. And so it goes.

State of the Gallery: April 2018

Nearly a third of the way through the year, and April 2018 is already shaping up to be a lot less exciting than April 2017. Of course, this time last year involved frantic shelf-installing and box-unpacking after the move from the old gallery space at Valley View Center, so it’s all a matter of perspective. (And if anybody had any doubts about not getting involved with the Rock Candy Mountain promises of artist spaces opening up at the Midtown project allegedly replacing Valley View, they’re gone now.) Yes, the weather keeps fluctuating between “typical” and “too cold to get out of bed right now,” but we haven’t actually gone below freezing…yet.

As far as last weekend’s Manchester United Flower Show was concerned, April follows in the tradition of last February: announce a gallery event, get everything ready to go, and then watch the weather feeds for impending catastrophe as a sudden atmospheric fewmet comes to visit for a while. Last February, it was a last-minute ice storm that hit north and west of Dallas, making a lot of potential attendees understandably reconsider a trip into Dallas if the roads were going to be frozen over by the time they attempted to return home. This time, Friday festivities were greeted with tornado sirens going off over most of North Texas: we got a bit of heavy rain for about an hour, but a friend coming in from Chicago found shelter with a multitude of others in a furniture store north of here, and folks to the south and the west had their own issues with hail and lightning. What issues Friday brought were mitigated on Saturday, where chilly but otherwise excellent weather brought out lots of first-time visitors and Valley View regulars. If nothing else, the weather caused reevaluations of having an outdoor event in spring, because any tents set up in the parking lot would have been blown to Oz and back. Maybe next year.

And on that note, further events in April will be restricted due to the need to get ready for Texas Frightmare Weekend on May 4 through 6, and then things get interesting. It’s too early to discuss particulars, but everything leads to a gallery show on June 30, just in time for everyone uninterested in traveling out of town for the July 4 weekend. The subject of that show is a secret, too, but let’s just say that anyone attending can say with authority that they’ve never been to an art show like this one.

Lateral shift to go back to talking about Texas Frightmare Weekend: the vendor map and listings arrived yesterday, and we’re back on our favorite row. As for most of the decade, the epicenter of Frightmare is at the Hyatt Regency DFW in DFW Airport, thus making the entire wing of DFW Airport by the hotel available parking for the convention. As in previous years, the Triffid Ranch and Tawanda! Jewelry tables will be in the back of the Made In Texas Hall in the hotel basement, right next to the signing lines. Since this coincides with the first-ever Triffid Ranch show a decade ago, those already taking advantage of the Shirt Price discounts have an extra incentive to wear their Triffid Ranch T-shirts to the show: while supplies last, everyone showing up in a Triffid Ranch shirt or purchasing a shirt at the show gets a special present, no additional purchase necessary or needed. It’s just an extra bit of thanks to those who have not only made Texas Frightmare Weekend one of my favorite shows, but who have made the previous nine shows so much fun.

One ancillary note about Frightmare, not for this year but for next year: I’m regularly asked about getting vendor space at Fan Expo, the local convention that inspired the “Malcolm Rule” mentioned a few weeks back. I’ve balked for many reasons, and now my refusal became personal. Ever since the old Dallas Comicon was purchased by out-of-town convention accumulators and turned into Fan Expo, it and its associated Fan Days events always conveniently scheduled themselves against other similar events so that local attendees could do one or the other but not both. (Longtime fans may remember when the Dallas Fantasy Fairs did the same thing in the early Nineties, stunting or killing up-and-coming conventions that simply couldn’t compete against the Flimsy Fair hype machine and guest lists. Those fans who aren’t longtime fans might not be familiar with the name “Dallas Fantasy Fair,” as the Flimsy Fairs blew up very spectacularly in 1996 after choking out all other competition, just in time for the big comics speculation bust that caused Marvel Comics to file for bankruptcy at the end of the year.) Five years back, Fan Expo’s parent company offered to buy Texas Frightmare Weekend for a pittance, and when told no, attempted to run a horror convention within the main show that was an unrelenting disaster. Since then, Fan Expo management concentrated on scheduling opposite the A-Kon anime convention, ultimately causing it to move out of Dallas entirely, and then settled for running two weeks after All-Con.

Well, that was 2018. You can imagine the surprise vendors at Fan Expo 2018 had when they received advance registration forms for 2019, and discovered that Fan Expo had moved its date to the first weekend of May. Not only does this directly conflict with Texas Frightmare Weekend, forcing attendees and vendors to choose one and only one, but May 4 is also Free Comic Book Day across the US and Canada. Frightmare never competed against the many comic shops in the Dallas/Fort Worth Metroplex participating in Free Comic Book Day, but Fan Expo’s list of comic artist and comic adaptation film and TV star guests does, and not just with comics dealers and stores having to man a booth at Fan Expo during their stores’ busiest day of the year. Fan Expo management hasn’t released a statement as to why the schedule suddenly needed switching, but I’ll bet $10 that when it’s finally released, the statement will bray something along the lines of “this is a pure coincidence.”

I’m sure it is. Of COURSE it is. Likewise, it’ll be a pure coincidence that everyone involved with Frightmare, from staff to vendors to guests to attendees, will spend the next year doing nothing but amping their games so Frightmare isn’t just the biggest show in Dallas on that weekend, but the must-attend show of its kind in all of North America. It’ll also be pure coincidence that so many of us involved in Frightmare will do our utmost to have the backs of our comic shop brethren when May 4, 2019 comes around. Refusing to advertise with venues that continue to do business with Fan Expo, for instance, or otherwise demonstrating with dollars or shoe leather that scheduling opposite established events with the attempt to create a monopoly may not turn out the way everyone expected. After all, the Dallas Fantasy Fairs attempted to create a similar monopoly, and a little voice should have told their organizers what Fan Expo management really needs to hear:

And now on a purely friendly note. It’s been about three years since the last Cat Monday event on this site, mostly due to the time taken by the gallery, but its main subject, Leiber, is still going strong. As of Friday the 13, Leiber turns 16: he’s still the so-dopy-he’s-cute FreakBeast he was when we adopted him in August of 2002, but he’s a little stiffer today. Aren’t we all. Those who have met him are welcome to wish him a happy birthday, although he’ll probably only care if the person offering the wishes brings cat treats as well. And so it goes.

Upcoming Events: The Second Annual Manchester United Flower Show and Other Vagaries

One classic comment about life in Texas states “If you don’t like the weather, hang on five minutes. This ties directly to a less commonly stated but equally apt phrase, “Don’t count on Texas weather.” Getting the reminder that some 12 tornadoes passed over my house six years ago this week, while Day Job co-workers and I huddled in a building seemingly made of nothing BUT windows, and the admonition “keep watching the skies” isn’t just for bicycle commuters. As of right now, the National Weather Service is predicting near-freezing temperatures for Friday and Saturday nights, along with a wind advisory and thunderstorm watches for all evening Friday. Considering that this is the time where traditionally all of the Dallas/Fort Worth Metroplex outdoor festivals and events start, I truly feel for everyone who has to be outside to run those outdoor festivals. A shoutout to the folks running the Deep Ellum Arts Festival, in particular: last year’s event was so absolutely perfect that it’s heartbreaking to realize that the weather will only be decent on Sunday afternoon. (incidentally, don’t let that stop any of you from going out there: just make sure to bring a coat and a plastic sheet for any art you bring home.)

This, of course, doesn’t affect the gallery: the Second Annual Manchester United Flower Show still runs tonight and Saturday, even if our wild fluctuations in temperature over the last month mean that some of the carnivores are being tetchy about blooming. The Venus flytraps, which normally have full and lively flower scapes by this time of the year, are only now starting to bloom, and don’t even get me started about the hopes for Australian pitcher plant blooms. On the brighter side, this is a good year for Heliamphora pitcher plant blooms, for the first time since the Triffid Ranch started, and the Sarracenia pitcher plants are currently going berserk. Okay, so the flytraps and sundews are delayed, but seeing why Queen Victoria so loved the flower emblem of Newfoundland and Labrador makes up for it. There’s no point in hyping up the bladderwort and Mexican butterwort blooms, because this is definitely their year.

After the flower show, expect a bit of radio silence, mostly because it’s time to get caught up on seriously delinquent support work, especially as far as plant care guides are concerned. That’s because as of today, we’re only a month away from Texas Frightmare Weekend, one of the largest horror conventions on the planet, and it’s time to amp up the Frightmare booth to a whole new level. Expect to see plants that have never appeared at a previous Frightmare, along with ones that most Americans have never seen, as well as other surprises. (Now’s the time to mention that not only do Shirt Price discounts apply at Texas Frightmare Weekend, but I have plans for special surprises for attendees wearing Triffid Ranch shirts that are just a perk.)

And after that? It’s time for a road trip. The original plan was to visit Chicago during the Independent Garden Center show in August, but the 300-pound Samoan attorney is still in the shop and rentals are prohibitively expensive. That’s when a much more lively event opened up. This year’s International Carnivorous Plant Society conference is being hosted by the Bay Area Carnivorous Plant Society on August 3 through 5, which means (a) being in the vicinity of California Carnivores with an expense fund, (b) a demonstration of imposter syndrome-inspired meltdown in the presence of some of the greatest experts on carnivorous plants in this arm of the galaxy, and (c) an extra day in San Francisco for my beloved’s birthday. Working vacations are the best, and the plan is to come back to Dallas with an even larger collection of plants in time for the Triffid Ranch third anniversary party on August 25. August may be a slow month for art galleries, but not here.

And after THAT? well, that depends upon the weather, as always. Details will follow, but expect some surprises for September and October in addition to the annual November drive to Austin for the Blood Over Texas Horror for the Holidays show. We have such sights to show you…

The State of the Gallery: March 2018

As regular readers might note, you didn’t get a state of the gallery update for February, mostly due to gallery-related distractions. Of course, February also didn’t get a full moon falling anywhere within it, either, which just meant one more good thing about March. Considering how fast March is moving, sliding through February was probably for the best.

As far as past and future events are concerned, February’s Date Night event was a mixed bag. The event itself was very successful, but as is the normal state of affairs with local weather, Date Night coincided with a nasty ice storm spreading through the Dallas/Fort Worth Metroplex that kept a lot of potential participants off the roads, and encouraged a lot of those who attended to leave early before the roads were impassable. This just means having to hold more events and showings during more clement conditions. This leads to:

Numero uno, things on the site are going to be extremely quiet through the end of next week, all due to the first external Triffid Ranch show of the year: All-Con in Addison. As in previous years, All-Con is a four-day show, running from Thursday to Sunday, with Thursday offering “try before you buy a weekend pass” free admission all day Thursday. Combine this with the already huge spring break contingent, and everyone is VERY glad the convention is running at a new, larger, and much more conveniently located hotel. Easy access to the hotel via DART buses, a wide range of restaurants within walking distance, a tremendous lineup of lectures and workshops…my only regret is that All-Con has that many activities scheduled through the weekend, but getting out from behind the table is pretty much an impossibility. This, of course, is a good thing.

Numero two-o, the next big show is seven weeks later, and if Texas Frightmare Weekend didn’t already exceed everyone’s expectations every year, people might be surprised to hear about plans for the next Triffid Ranch booth in May. Let’s just say that when running a booth in a convention already so packed that the convention announced that it has no more room for further guests, and that the host hotel has been booked solid since last year and attendees spill into FOUR more overflow hotels, getting away with a merely average display is unacceptable. In addition, not only is this the tenth Frightmare Weekend with a Triffid Ranch booth, but the end of the show falls on the tenth anniversary of the first-ever Triffid Ranch show, at the late and much-missed CAPE comic event off Lemmon Avenue in 2008. This, of course, demands a suitable anniversary celebration, so let’s see if everyone can pull it off.

Numero three-o: in between these two, don’t assume that the intervening six weeks will just be full of the usual panic about potting, casting, gluing, and painting, along with the usual snot-bubble crying of “I suck! I suck! I wanna go back to the mall!” in the corner. Since last year’s move preempted plans for a 2017 event, the Triffid Ranch proudly announces a return of a wildly popular event from the old ArtWalk and presents the Second Annual Manchester United Flower Show on April 6 and 7 from 6:00 to 10:00. Yes, it coincides with all sorts of other events in the Dallas area, including the Deep Ellum Arts Festival, but that happens all through the city in the weeks before the weather really heats up. Besides, where else are you going to go in the Dallas area to view carnivorous plant blooms and bracts and the plants that produce them?

Oh, to close up, and for the barest hint of what else to expect at the Manchester United Flower Show, here’s a sample of the centerpiece to a new enclosure:

Yes, this is a Cryolophosaurus skull, so anyone familiar with previous discussions on my fascination with the flora of pre-Pliocene Antarctica has an idea of what to expect. It and other enclosures premiere in April, so make plans to see the final enclosure after it’s planted and ready. See you then.

The Hour That Stretches

Whew. October 13. Nearly four months since the soft opening of the gallery, and now it’s showtime. I could go on about experiments with new materials not working out the way they were expected, or whole enclosures being held up based on how one component finished, or the simple fact that paint takes at least six times much time to dry as expected, but you know what? The work speaks for itself, and it all goes live this weekend. Relics: A Carnivorous Plant Enclosure Exhibition starts at 6:00 CST on Friday, October 13 until midnight, and reopens on Saturday, October 14 from 5:00 CST until midnight. After that, a day or two to recuperate, and then back to the sphagnum moss and silicone molds until the end of November. 

As an additional note, many regular Triffid Ranch customers are familiar with the concept of Shirt Price on the larger enclosures: attend an event wearing a Triffid Ranch shirt, and so long as you’re wearing the shirt, the listed discount “Shirt Price” applies. Since October 13 is a Friday, and it’s a little over six months until the 2018 Texas Frightmare Weekend starts, Shirt Price discounts at the Relics show apply to anybody in a Frightmare T-shirt as well. The individual Frightmare year doesn’t matter: if it’s a Frightmare shirt, it qualifies. This isn’t authorized by or endorsed by anyone involved with Texas Frightmare Weekend: this is just a return for all of the kindnesses and considerations I’ve received from Frightmare staff, guests, and attendees over the last decade. You lot have earned it. (He said, frantically collecting caches of glassware in anticipation of next year’s Frightmare. The 2009 Frightmare was small enough that just about everything I had fit into a PT Cruiser: next year, I might have to move to a 15-foot truck to haul enough plants to the show to keep everyone happy.)

For those who can’t make it this weekend, this definitely isn’t the last gallery event of the year. It’s a little too late to get involved directly in the Ricochet 17 art event through the Arts Incubator of Richardson on October 21, but next year’s Ricochet is on the agenda. Instead, after the Blood Over Texas Horror For The Holidays show in Austin on November 19, we’ll be open all day for casual wander-arounds (and wooing dates) for Small Business Saturday on November 25. As always, the Triffid Ranch is open by appointment, and now’s the time to discuss custom enclosures in time for the holidays.

And after that? Let’s just say that everything for the first half of next year pivots on getting a special confirmation in November, but I’m not going to say anything until said confirmation comes through. When it does, though, the Triffid Ranch moves to a whole new life stage and a whole new location. Until then, you’ll just have to wait.

State of the Gallery

Well. We made it. We had to get through the first half of the year to get there, but the Texas Triffid Ranch is set and situated in its new home. The gallery’s soft opening (the art world’s equivalent of a dress rehearsal) occurred on June 30, with the only problem being everyone coming early. Not that this was a problem: the early attendees included Nicholas Bostick of the Dallas Observer, and his assessment of the soft opening gives a lot of ideas for future plans. Combine that with commentary and suggestions from other attendees, and it’s off to the races for the next big exhibition, Relics, starting on October 13.

In the interim, in addition to the Small-Con and Blood Over Texas shows in September and November, the Triffid Ranch goes on the road. Of course, it’s just down the road to the Half Price Books Mesquite store, with a lecture and presentation starting at 12:00. Admission is free, and this may be the start of many at Half Price stores through the Dallas/Fort Worth Metroplex. Emphasis on “may”: everything depends upon the attendance at this one, so feel free to come out and gaze upon South American and Australian pitcher plants and other surprises. (Later this month, I hope to share news about upcoming shows for the next year, but a lot of that involves confirmation of acceptance. For instance, next year would mark ten years of the Triffid Ranch at Texas Frightmare Weekend, this is dependent upon making it past the juried acceptance process, and neither I nor any other vendor at TFW will make that kind of assumption. We have too much respect for the TFW crew to even think about it.) 

And future plans for the gallery? As mentioned previously, a new exhibition, Relics, opens on October 13, full of new enclosures and displays, and expect hints and in-progress shots on a regular basis. Until then, keep checking back, because reality stretches, and things currently invisible may emerge if reality stretches enough.

State of the Gallery


Four months. Four months since the old Triffid Ranch location had to shut down, and we had to track down a new space. Four months of potting, painting, sweeping, drilling, screwing (keep your mind out of the gutter), stacking, pitching, dumping (again with the bathroom humor), repositioning, and vacuuming. Four months of discovering the joys of the difference between renting residential and commercial properties, the vagaries of plumbing replacement, and the tribulations of a moth invasion that came literally from nowhere. Four months of learning more about security systems, air conditioning units, bathroom plumbing, and glass polishing than anyone would think was necessary, and then the real fun with potting and prepping plants began. Combine this with two of the biggest Triffid Ranch shows of the year in the middle, and the necessary downtime on gallery preparation to focus on those shows, and guess what?

We’re nearly there.

Things still aren’t perfect: one of the advantages to the new gallery is a significant increase in usable wall area and volume, along with a nearly exponential increase in power outlets compared to the old Valley View space. This means doubling the old space’s shelf space, which also goes with an increase of usable floor area and tables to take advantage of it. This means that the next big Triffid Ranch exhibition is tentatively scheduled for mid-October, just to build enough enclosures to fill all that new display space. (Sadly, the regular ARTwalk exhibitions are as dead as Valley View’s artist community, because the time lost in preparing for and cleaning up after each ARTwalk cut into enclosure preparation and construction time.) Details will follow, but the upshot is that the Triffid Ranch opens for commissions and consultation as of July 1. 

(Please note: as with the Valley View space, the new gallery is open by appointment only, preferably with at least 24 hours’ advance notice. Apologies for the inconvenience, but a day job intrudes.) 

And on the subject of shows, the rest of summer and all of autumn are going to be busy, with things staying lively all the way through the end of November. Many of the events are awaiting final confirmation, but Small-Con in Addison on September 9 and the Blood Over Texas Horror for the Holidays show in Austin on November 19 are absolutes. As this changes, the calendar will be updated accordingly. This goes double for events in spring 2018: vendor applications for Texas Frightmare Weekend officially open on June 23, and we hope to have a special surprise lined up for next April. We’ll see how it goes.

In other developments, visitors at the Dallas Arboretum may have noticed the new carnivorous plant bog in the Children’s Adventure Garden, and expect more carnivores very quickly. Because of a bumper crop of second-year plants from last year’s seedlings, getting the new plants potted up requires having to make room, and the big established Sarracenia are perfect for the Arboretum’s purposes. Expect photos soon, especially if our expected rains on Saturday don’t wash us all back to Oz, because everyone involved really made an exceptional display, and it just needs more plants to fill out the area. It has a way to go before it can compete with the Atlanta Botanic Garden’s carnivore beds, but the challenge is half of the fun. 

Free plugs: both of these deserve proper reviews, but keep an eye open for both the BBC/PBS two-part miniseries Plants Behaving Badly, narrated by Sir David Attenborough, and the new Janit Calvo book The Gardening In Miniature Prop Shop, published by Timber Press. The former dedicates one episode each to carnivorous plants and orchids, and the only issue with either is that one hour is nowhere near enough time for a decent presentation. The latter, though, is going to be an essential resource in the Triffid Ranch workshop, so buy both for the best effect. And so it goes. 

 

The Aftermath: Texas Frightmare Weekend 2017 – 9

In all of the obvious love shown to Texas Frightmare Weekend, don’t think that it’s always perfect. No, there’s always someone who takes issue with what the Triffid Ranch is doing. The plants are living things, they yell, you shouldn’t be selling them, they yell, at least not something I can’t smoke. By way of example, for the first time, I share pictures of a heckler. The character came below and did nothing but take offense that his brethren and sisters were available for sale in glass bottles and containers, and he let me know it. Well, he kinda did: he was rather hard to understand, and random grumbling and wheezing counts as heckling, right?


Very seriously, it’s no exaggeration that I now spend the entire year getting ready for Texas Frightmare Weekend in one way or another, and I hope to pull off a display in 2018 that’s not affected by a sudden gallery eviction and relocation. Many thanks to everyone involved with Frightmare: attendees, guests, staff, support crew, and fellow vendors, and thanks in particular to convention founder Loyd Cryer: if not for him ignoring the various voices in the area telling him that a horror convention in “as conservative a city as Dallas” wouldn’t work, we wouldn’t be having THIS much fun. Here’s to seeing everyone next year, because the only way I’d miss it is by being dead, and even then.

The Aftermath: Texas Frightmare Weekend 2017 – 8

Trying to describe a show like Texas Frightmare Weekend to folks completely unfamiliar with the concept is hard enough, but trying to explain the costumers is harder. Part of it comes from the assumption that the costumers are just nostalgic for Halloween, or from the cliche of the convention costumer circa 1985. Both work from an assumption that costumes should be quick, flashy, and quickly discarded once the event is over. And that assumption is so wrong that it’s saddening.

As someone who first started attending conventions in the early 1980s, and who only became a vendor during the great costuming renaissance of the 2000s, this is another area of fandom where I have no interest or urge to go back to the Good Old Days. The sheer professionalism of costuming these days makes it worthy of further study: in fact, it’s the reason why so many TV and newspaper crews come to events like Frightmare to get images and video of the proceedings. In many ways, they treat Halloween the way Hunter S. Thompson handled New Year’s Eve: that’s the day you back off and let the amateurs have their fun.

As for being a vendor? I get to watch literally thousands of enthusiasts go by, and I get to ask questions. For a short time in the Eighties, I took inspiration from such makeup effects maestros as Dick Smith and Tom Savini and wanted to dive right into the world of movie illusions. I’ve gone off in a drastically different direction since then, but a lot of what I learned back then still influences plant enclosures today. How do I make this illusion? How do I put it together for the maximum effect? Does it grab the audience in the same way it grabbed me? I may be using live plants, long-fiber sphagnum, and perlite instead of silicone and resin, but it’s still the same thrill.


The Aftermath: Texas Frightmare Weekend 2017 – 7

One of the things that’s hard for people outside of the dealer’s room at a big convention such as Texas Frightmare Weekend is that it’s WORK. Heck, it’s hard for some people in the dealer’s room to understand, for that matter. (And no, I’m not naming names, although it’s tempting.) This means that very few of us have the time or opportunity to break free from the booth to view preview movie screenings or guest signings. This means that while the attendees are heading out to catch after-hours parties and concerts, we’re usually either heading home or to our hotel rooms to get some sleep before it starts all over again. This means having to cancel dinner plans with near and dear friends because a customer asked for a special commission that has to be ready by the next day. For anywhere from two to four days, depending upon the length of the convention, it’s a matter of scrambling and dancing and occasionally throwing things (you get really good at hitting trash cans from a distance when the crowd is too thick to get to it directly), and none of us would give it up for anything. 

And why wouldn’t we give it up? That’s because the party comes to us. At Frightmare, that meant anywhere between six and nine hours of fascinating people coming from all over the planet, in costume and out, all with different stories about why they were there. It’s a three-day Troll Market, and everyone involved simultaneously wishes that it could go on for years AND thanks Odin, Marduk, and Arioch that it doesn’t go on for a solid week. I don’t think any of us could handle more than five days, just because there are limits as to what the human body can endure.