Enclosure Gallery

A cross-section of available, previously purchased, and commissioned carnivorous plant enclosures. Please feel free to contact us for more details.

Tezcatlipoca Blues (2018)

The novel Smoking Mirror Blues by Ernest Hogan is only obscured by his more famous novels Cortez on Jupiter and High Aztech because of its original publication during the dotcom crash of 2001. Working on the idea of an electronic avatar of the Aztec god Tezcatlipoca and his rapid expansion into and domination of a nightlife “twenty minutes into the future,” the novel examines not just the resilience of myth, but the concern that some myths may do better in the future than in their past.

Dimensions (width/height/depth): 12 1/2″ x 18 1/2″ x 12 1/2″ (31.75 cm x 46.99 cm x 31.75 cm)

Plants: Assorted Mexican butterworts (Pinguicula spp.)

Construction: Plastic fixtures, polystyrene foam, resin, epoxy putty, black glass tile.

Price: $150US

Shirt Price: $125US

Raptor (2018)

In many environments, it’s hard to believe that seemingly abandoned structures and equipment are still used and maintained frequently, just based on weathering and wear. Paint chips from thermal stresses and powders from exposure to ultraviolet light, metal rusts quickly or slowly depending upon the rainfall and ambient humidity (even in deep deserts, iron rusts due to water condensing on the cold metal at night), organic compounds rot and crack, and stone and concrete change color from sun, rain, and algae. Under the right conditions, a military installation temporarily mothballed can look completely abandoned within years or even months without steady maintenance, and that maintenance may be withheld so long as the equipment still works. Are the weapons left pitted and worn because of abandonment, because of neglect, or to encourage enemies to get close?

Dimensions (width/height/depth): 18 1/2″ x 18 1/2″ x 18 1/2″ (46.99 cm x 46.99 cm x 46.99 cm)

Plant: Nepenthes ventrata

Construction: Plastic fixtures, polystyrene foam, resin, epoxy putty, green goldstone.

Price: $200US

Shirt Price: $ 150US

Novi (2018)

An ongoing human compulsion is to update and mark existing testaments left behind by others: some call it “vandalism” and others call it “embellishment,” and for as long as hominins have been building permanent edifices and monuments, others step in and leave their own mark. The bare wall, the lone boulder, the thin sod atop a chalk cliff…some rework, others augment. The motivations may be different but the end result identical: when faced with an industrial structure that sets off pareidolia, was it reworked out of a sense of removing a reminder that the current people in an area weren’t the first people? Did it have religious significance, either as the center of a new faith or a way to hide an old forbidden faith in plain sight? Or did the artist simply hate the idea of something remaining completely utilitarian and want to give a reason for others to visit a long-forgotten artifact?

Dimensions (width/height/depth): 18 1/2″ x 24 1/2″ x 18 1/2″ (46.99 cm x 60.96 cm x 46.99 cm)

Plant:Nepenthes burkei x hamata

Construction: Glass enclosure, polystyrene foam, resin, tumbled glass, epoxy putty, garnets.

Price: $ 200US

Shirt Price: $ 150US

Antarctica in Decline (2018)

Description: Very little is known about prehistoric Antarctica: with 98 percent of the continent covered with kilometers-thick ice, the few fossil beds accessible at the surface illuminate life there approximately 150 million years ago (including the discovery of the early theropod dinosaur Cryolophosaurus), approximately 65 million years ago, and the period surrounding the continent’s freeze 5 million years ago. Coal deposits and pollen samples from coring rigs are the main views of Antarctic plant life, as well as the inference from DNA analysis of the relationship between sundews from West Australia and Tierra del Fuego. It’s very possible that Antarctica had a wide and diverse population of carnivorous plants through its pre-freeze history, including relations to the Australian pitcher plant Cephalotus, but between the inaccessibility of most of its fossil-bearing strata and the poor fossilization record of carnivorous plants elsewhere, any discussion of Antarctic palaeofauna, especially of the period immediately after the extinction of the dinosaurs, is understandably speculative.

Dimensions (width/height/depth): 18″ x 18″ x 18″ (62.23 cm x 62.23 cm x 62.23 cm)

Plant: Cephalotus follicularis (2)

Construction: Glass enclosure, polystyrene foam, resin, tumbled glass, fiber-optic glass cabochons, polystyrene parts, found items,  aquarium spot lights.

Price: $500

Shirt Price: $400

A Canticle For Troodon (2018)

Description: The customer: a longtime customer and friend who had purchased a Nepenthes bicalcarata pitcher plant that outgrew its original container, and the new container needed to fit into the previous container’s alcove. The assignment: making a custom enclosure that needed to be “different”. The experiment: working with tumbled champagne bottle glass for its additional thickness and strength, on the structure of a resin Ceratosaurus skull. The finished skull is anchored via a shaft running into the base, and can be removed at any time for moving or maintenance. In addition, the skull is illuminated from within via two LED aquarium spot lights, and both lights may be turned on or off from outside the enclosure.

Dimensions (width/height/depth): 18″ x 18″ x 18″ (62.23 cm x 62.23 cm x 62.23 cm)

Plant: Nepenthes bicalcarata

Construction: Glass enclosure, polystyrene foam, resin, glass, glass taxidermy eye, polystyrene parts, found items, grapevine, aquarium spot lights.

Price: SOLD: custom commission

Shirt Price: SOLD

Launch Bay (2015)

Description: The Nepenthes hybrid “King of Spades” is best known for its large pitchers with huge flaring peristomes, but such large pitchers also lead to very slow growth of the rest of the plant. Because of this, in a suitable enclosure, at least four pitchers are visible and accessible, with older pitchers dying off shortly after new ones open. Because of its slow growth, this “King of Spades” is only now starting to obscure the enclosure’s backdrop, adding to the impression of a facility abandoned for unknown reasons.

Dimensions (width/height/depth): 24″ x 24 1/2″ x 18″ (60.96 cm x 62.23 cm x 45.72 cm)

Plant: Nepenthes “King of Spades”

Construction: Glass enclosure, polystyrene foam, polyvinyl, glass.

Price: $ 250US

Shirt Price: $ 200US

Dimension Mask (2016)

Description: Based on experiences with the multiple coats on the mask, one can argue that all human art forms are ultimately derived from painting, if only to find something to do while the paint dries. This was necessary, though, with strontium europium luminous paint under multiple coats of clear sealer, copied on the ovoids surrounding a glass disk. The hybrid “Bloody Mary” combines exceptional pitcher color with a habit of multiple growing points at its base, causing it to spread outward instead of vining up.

Dimensions (width/height/depth): 18 1/2″ x 24 1/2″ x 18 1/2″ (46.99 cm x 60.96 cm x 46.99 cm)

Plant:Nepenthes “Bloody Mary”

Construction: Glass enclosure, polystyrene foam, polycarbonate mask, polished fiber optic cable, tumbled glass, grapevine, found items.

Price: $250US

Shirt Price: $ 200US

Weintraub Gate (2015)

Description: The pitcher plant Nepenthes spectrabilis is best known for its narrow pitchers covered in burgundy and yellow-green markings. This specimen is old enough that it has started vining, displaying both upper and lower pitchers.

Dimensions (width/height/depth): 18 1/2″ x 24 1/2″ x 18 1/2″ (46.99 cm x 60.96 cm x 46.99 cm)

Plant:Nepenthes spectrabilis

Construction: Glass enclosure, polystyrene foam, ceramic, wood.

Price: $ 200US

Shirt Price: $ 150US

Pumping Station (2016)

Description: An experiment in a multiple-component backdrop, this enclosure contains two carnivorous plants. The upper terrace hosts a Nepenthes spathulata x veitchii hybrid, known both for large pitchers and a very tight leaf rosette. The lower terrace is the home of a surprise Cape sundew (Drosera capensis), most likely from seed that stowed away from the greenhouse.

Dimensions (width/height/depth): 18 1/2″ x 24 1/2″ x 18 1/2″ (46.99 cm x 60.96 cm x 46.99 cm)

Plant:Nepenthes spathulata x veitchii

Construction: Glass enclosure, polystyrene foam, vacuum-formed and extruded plastic, ceramic.

Price: $ 200US

Shirt Price: $ 150US

Fortress of the Emerald Skull (2015)

Description: In the middle of painting the backdrop, the combination of elements gave the impression of a castle gate tall enough for an ogre, so the remaining elements were easy to add. An ogre-sized skull to warn off interlopers needed ferns to keep focus on the Nepenthes spectrabilis x veitchii growing from inside it, and the southern maidenhair ferns (Adiantum capillus-veneris) invoked ginkgoes so much that the samurai figure was necessary, both for mood and for scale. An additional bonus was that the ferns shed and regrow based on photoperiod, giving a drastically different appearance to the enclosure through the year if lighting light and dark cycles keep track with the seasons outside.

Dimensions (width/height/depth): 18 1/2″ x 24 1/2″ x 18 1/2″ (46.99 cm x 60.96 cm x 46.99 cm)

Plant:Nepenthes spectrabilis x veitchii

Construction: Glass enclosure, polystyrene foam, resin, polyvinyl chloride figure.

Price: $ 200US

Shirt Price: $ 150US

Borne (2017)

Description: One of the more evocative images in the Jeff VanderMeer novel Borne (2017) was of what appeared to be three dead astronauts buried to their armpits in an open area by an abandoned office building: three individuals in biohazard suits, the suits so blasted by ultraviolet light that the fabric bleached white, with various plants growing out of their open faceplates. Combine this with the title character being mistaken for a plant in the early stages of its life cycle, and a centerpiece of a Nepenthes veitchii was necessary.

Dimensions (width/height/depth): 18 1/2″ x 24 1/2″ x 18 1/2″ (46.99 cm x 60.96 cm x 46.99 cm)

Plant:Nepenthes veitchii

Construction: Glass enclosure, polystyrene foam, vacuum-formed plastic, polyester cloth.

Price: $ 250US

Shirt Price: $ 200US

Accelerator (2017)

Description: Famously described as one of the more difficult groups of carnivorous plant to keep in captivity, the Heliamphora pitcher plants of South America take well to enclosure life so long as they get a difficult combination in Texas: cooler temperatures with a lot of light. The backdrop’s framing of the central plant was accidental: in its previous life, it was a plastic insert at the bottom of a case of Valentine’s Day candy, intended to keep sampler boxes upright.

Dimensions (width/height/depth): 18 1/2″ x 19″ x 18 1/2″ (46.99 cm x 48.26 cm x 46.99 cm)

Plant:Heliamphora chimantensis

Construction: Glass enclosure, vacuum-formed plastic, nylon bolts, found items, stone.

Price: $ 200US

Shirt Price: $ 150US

Motivator (2017)

Description:Nepenthes bicalcarata, the famed “fanged pitcher plant,” is best known for the two fang-like structures (officially known as nectaries) projecting from underneath each pitcher’s lid. Such a dangerous-appearing organism requires a comparable support mechanism watching over it, but is it being repelled, attacked, or stimulated?

Dimensions (width/height/depth): 12 1/2″ x 13″ x 12 1/2″ (31.75 cm x 33.02 cm x 31.75 cm)

Plant:Nepenthes bicalcarata

Construction: Glass enclosure. polystyrene foam, vacuum-formed plastic, found items.

Price: $ 125US

Shirt Price: $ 100US

Who Goes There? (2017)

Description: While 98 percent of Antarctica is currently covered with ice, much can be surmised of its natural history and paleontology from studying the life of both far antipodean South America and of southern Australia, both of which were attached to Antarctica before plate tectonics tore them apart. One of the most heartbreaking survivors is the Australian pitcher plant, Cephalotus follicularis, now found in the wild only in one small area south of Perth. Now isolated from all other flowering plants due to circumstance and mass extinction, Cephalotus may have had relations all over Antarctica…and there they remain until the ice melts.

Dimensions (width/height/depth): 12 1/2″ x 13″ x 12 1/2″ (31.75 cm x 33.02 cm x 31.75 cm)

Plant:Cephalotus follicularis

Construction: Glass enclosure, polystyrene foam, vacuum-formed plastic, found items, thermoplastic cube,

Price: $ 150US

Shirt Price: $ 120US

Emergency Support Bay 27B-6 (2017)

Description: When looking at fallout and other disaster shelters from the 1950s and 1960s, a comparison can be made to ancient tombs: collections of food, supplies, and furnishings intended for whatever lay beyond the valley of Death. How many caches of tools, weapons, and survival gear from the present and near future might be found hundreds, thousands, or millions of years later, either startlingly preserved or rotted away to uselessness?

Dimensions (width/height/depth):  18 1/2″ x 24 1/2″ x 18 1/2″ (46.99 cm x 60.96 cm x 46.99 cm)

Plant:Nepenthes ampullaria

Construction: Glass enclosure, polystyrene foam, polycarbonate, found items.

Price: $ 300US

Shirt Price: $ 250US

Weather Station 228 (2017)

Description: Travelers in the Columbia Gorge separating the states of Oregon and Washington may note various facilities seemingly extruded from the mountain rock: half-seen gates, windows, and doorways, in many cases belonging to automated weather forecasting stations watching for sudden storms or blizzards that could close off the Gorge. While they may be automated, they aren’t abandoned, even if years or decades go by between maintenance visits, and interfering with their operation is met with severe penalties. Keep that in mind.

Dimensions (width/height/depth):  18 1/2″ x 24 1/2″ x 18 1/2″ (46.99 cm x 60.96 cm x 46.99 cm)

Plant:Nepenthes bicalcarata

Construction: Glass enclosure, vacuum-formed plastic, found items.

Price: $ 250US

Shirt Price: $ 200US

Arellarti (2017)

The commission had three parameters: firstly, the enclosure had to incorporate a hexagon aquarium, generally unavailable since the early 1990s. Secondly, the enclosure centerpiece was to be a Nepenthes “Bloody Mary” hybrid. Thirdly, the original request was to make “something Lovecraftian.” After a quick discussion, the focus switched from H.P. Lovecraft to the works of Karl Edward Wagner, particularly his novel Bloodstone (1975).

Plant: Nepenthes “Bloody Mary”

Construction: Polystyrene foam, found items, snowflake obsidian, opalite glass, food-surface polyurethane.

Price: Sold: commission

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Hans-Ruedi (2016)

One of the largest enclosures currently in the main gallery, Hans-Ruedi is a compromise situation involving a mature Nepenthes bicalcarata with new growth from its roots. In order to encourage new growth, the parent plant had to be trimmed back severely after its removal from its previous enclosure. To encourage vining and production of the plant’s upper pitchers, suitable anchoring areas had to be available for the vines to attach, and in a way that these were not immediately obvious. Taking inspiration from the “New York” series of prints by Swiss surrealist H.R. Giger (1940-2014), the backdrop is a custom creation intended to allow the Nepenthes to reach a suitable size without interfering with the view of upper and lower pitchers.

Dimensions (width/height/depth): 18″ x 37″ x 18 1/2″ (45.72 cm x 93.98 cm x 46.99 cm)

Plant: Nepenthes bicalcarata

Construction: Polystyrene foam, urethane and PVC hosing, epoxy putty, food-surface polyurethane.

Price: $300 US

Shirt Price: $250 US

Other Enclosures

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