The addiction started half my life ago, when I was a beginning film critic for a long-forgotten science fiction magazine at the end of the Eighties. I started up a friendship with one Joey Shea, better known as “Joey Zone,” a fellow contributor and general troublemaker, and he and his lovely wife Cheryl LeBeau rapidly became People To Talk To. Shortly after we first made our acquaintance, I received a big package from Joey. It was full of band fliers, old horror magazines, toys, and other New England exotica, with a little note reading “The best thing about moving is that you can give away crap and people think you’re such a generous bastard.” I still have that note in my files somewhere, along with most of the items in that big envelope. I promptly put together a comparable box of Dallas ephemera and dropped it off in the mail.
Unbeknownst to me, I’d received my first Joey Box. I’d also sent my first one, and the tradition stuck.
I don’t want to get into a “when I was your age” tirade, but there was a weird fire to the world during the zine period between 1984 and 1999. Any number of people discovered that publishing their own magazines was a lot easier than they’d been led to believe, and they further discovered that a market existed for their publications. The end result was a lot of bush-league rivalries, drama, tears, screaming, and attempted homicide. It was a wonderful time to be alive, especially when you’d meet people via one zine or another and they’d send you a huge box of stuff in the hopes of convincing you their home town was the best in the world. You’d then reciprocate with a huge box, and your friends and their friends would fight like Romero zombies over who got the best stuff left over.
Now, Joey and Cheryl are up in Connecticut, so they had access to club schedules, movie promos, and demo tapes from all over New England. I couldn’t match the variety, but I could match the volume. Dallas was a great place at that time for all sorts of promo materials, and the Joey Boxes only got bigger once I started working for a local weekly called The Met in 1994. By 2000, they were getting a bit ridiculous, as one had to be split into three separate boxes because the one was too heavy for UPS. I kept waiting for the notice that Joey had broken both of his femurs trying to pick up the latest box, or that Cheryl would call in tears because Joey was dead from zine poisoning.
In recent years, I’ve had to cut back on the size of Joey Boxes, mostly because so much promo material is online instead. Nobody puts three weeks of effort into a band poster any more when they can just start up a new page on Facebook. It’s the same situation with Joey, and not just because he quit zine illustration for a library science degree a few years back. We still keep up the tradition, though, and we try our best to keep it going.
So now it’s time to expand the Joey Box concept. I can’t guarantee you’ll need a forklift to get it inside the house, but it should make things interesting.
So here’s the contest. I have five separate packages awaiting the winners. Each one contains Triffid Ranch stickers and buttons. Each one also contains at least one issue of Gothic Beauty magazine, containing my gardening column, or the May 2011 issue of Reptiles with my article on carnivorous plants in herp vivaria. Each one will contain a gardening book out of my collection (I’m phasing out the book selection I used to carry at Triffid Ranch shows, so this is your gain). Other than that, each one will be different in its contents. Best of all, all are sealed up beforehand and selected randomly, so I won’t know which one is going where.
As always, feel free to pass this on to friends and neighbors. Half of the fun of something like this is the sharing.
EDIT: For those on Facebook, you have the option of another contest entirely for a Joey Box via the Triffid Ranch page. Look at it as Christmas in July, with Jack Skellington driving the sleigh.