Well. Two weeks away, and life keeps getting interesting. As can be told from the photo above, the presentation on biofluorescence at the Perot Museum was, well, interesting. The whole venue was well-lit with UV LEDs, which made me feel like I was stuck inside an Eighties-era tanning bed, and the big issue was less with showing the fluorescence and more with blocking out the amount of visible light emitted by the LEDs that washed out said fluorescence. This led to quite a bit of planning for the next such demonstration, including learning that classic E-Z Up tents now come in black, but the event was a learning experience all the way around. Among other things, I could stay underneath both shortwave and longwave UV lights without recreating key scenes from the film Near Dark. Sadly, one of the Heliamphora pitcher plants in the display didn’t have that advantage, but it’s already making a strong recovery. I’ll just name it “Homer”.
In any case, continued blog silence means that things at the gallery keep getting lively, and that includes new signage. The last big ARTwalk event demonstrated that even with the existing signage in the mall showing where the Triffid Ranch gallery is located, people had issues with finding it, so it’s a matter of making signage that can’t be overlooked. This beast started out as a Styrofoam insert for a sound baffle in a movie recording studio, so let’s see what it looks like after about two hours of texturing with a heat gun, repainting to pass for basalt, and lots of detailing, eh?
And then there’s the weekend. Sunday marks a return to the studios of the Fangirls of Dallas, to talk about plants, the space, and just about anything else that comes to mind. Between now and then, though, I have a LOT of painting to do. Updates to follow.